The Value of Metamorphosis
August 8, 2008 | Posted by Dave Fletcher | Add a Comment
Years ago, before I moved to New York City, I developed a mantra - that as a designer, it’s your duty to change your style frequently. In the search for transformation, some designers might find solace in the variety of media and side projects (filmmaking, photography, painting, etc.), while others may deliberately change their individual creative patterns and methods of working. This approach helps you to motivate; it helps you to remain excited; and most importantly, allows you to remain valid in an industry that depends on fresh ideas and not just a rehash of yesterday’s stuff. It was this axiom that enabled me to come to New York City…
…as a young designer, I had shown my portfolio to a Cleveland-based agency in a job hunt. They tactfully told me that while they liked my work, without a specific & identifiable style, I would not be a “salable” creative; fitting into their corporate system. In other words, they wanted a singular style to sell instead of substance. I explained to them that my portfolio had creative solutions which were based on what the client’s audience required to identify with a brand, and had very little to do with my own personal visual style. I changed my personal visual styles when I got bored, or needed to feel revitalized. It was this response that empowered me to get in my car, drive from Cleveland to New York City, and take my first New York job at the now defunct (yet highly influential Web design consultancy) methodfive.
At The Police’s final concert last night in Madison Square Garden, I was reminded of the importance of transformation by Sting, who acted out a creative metamorphosis onstage. Arriving and playing most of the show with a shaggy gray beard – he appeared as a grizzled, aging musician instead of the symbol of health and vitality expected from the leader of the pop trio. Just before the encore, he publicly changed his appearance backstage (and onscreen) with a shave. Like a Phoenix rising from the ashes of a long tour and interpersonal battles within the band, he changed his persona during the intermission – emerging revitalized and new; shaved and young – delivering a two act play as an example of how first, the long tour had aged and tested him – and on this final night, revitalized him – as he moves once again past the shadow and drama of The Police, into the next phase of his career.
Was this overplayed and dramatic? Of course, but rock n’ roll should always have an unpredictable element of bombast. And possibly, so should you.
























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